CHRIS: In The Mood For Love (Wong Kai-wai, Hong Kong, 2000)
I have a real problem with BRIEF ENCOUNTER (1945). I’m not sure why. It is a much admired British film, albeit by train enthusiasts and those who crave that golden-age […]
I have a real problem with BRIEF ENCOUNTER (1945). I’m not sure why. It is a much admired British film, albeit by train enthusiasts and those who crave that golden-age […]
No other director has brought art and mainstream American cinema clashing together in quite the same way as David Lynch: film-maker, transcendental educationalist, coffee supplier and cartoonist. From his early […]
One of the limitations of creating a list of films since STAR WARS (1977) is that many of my favourite directors either stopped producing films or had died before its […]
In the week that British political landscape was rewritten, it is fitting that The Dirk Malcolm Film Club should feature this epic study of the destructive effects of power as […]
What is it that I find appealing about a day dreaming bureaucrat who is seeking escape from the hum-drum office life? I wonder… Jonathan Pryce is well cast as the […]
Tarrantino has the type of name that announces itself, and the pre-publicity that circulated ahead RESERVOIR DOGS filled me with such a thrilling anticipation, that I was excited like I’ve […]
What if cinema actually did start with Star Wars? An alternative to Derek Malcolm’s Century of Films list by Chris Hart After spending the past two years or so, attempting […]