CHRIS: La Haine (Hate) (Kassovitz, France, 1995)
“I don’t know if its really important, or intelligent even, when people say to me I’m a white Spike Lee, because they said to Spike Lee you’re a black […]
“I don’t know if its really important, or intelligent even, when people say to me I’m a white Spike Lee, because they said to Spike Lee you’re a black […]
In 1974 William Friedkin, riding on the crest of a wave after the consecutive successes of critically-lauded THE FRENCH CONNECTION (1971) and box office behemoth THE EXORCIST (1973), arranged himself […]
If there was ever any doubt that Z is based on a true story the filmmakers put it to rest with a bold disclaimer over the opening titles: “Any resemblance […]
Haneke is a both a film-maker and film-academic. He manages to work these two roles simultaneously to create cinema that gets under the skin and bang the audience’s head out […]
Von Trier is a film maker who divides opinion. The Guardian’s Peter Bradshaw, Derek’s replacement, considers him a hoaxer. Variety’s Todd McCarthy was one of the many critics who were […]
Between 1992 and the end of the decade, I was watching about 3 -4 films a week at the cinema. I was a multi-plex whore, giddy at the prospect of […]
Fellini’s once scandalous film, now seems pretty tame, but it remains perhaps the best film reflecting a certain place at a certain time. It opens with a statue of Christ […]