DIRK’S FILM SCHOOL – B-MOVIES
SEMINAR NOTES Technically, B-Pictures were the second feature of a double-bill, usually low-budget genre films. As film distribution habits changed, the term has become broader; its applied to genre pictures […]
SEMINAR NOTES Technically, B-Pictures were the second feature of a double-bill, usually low-budget genre films. As film distribution habits changed, the term has become broader; its applied to genre pictures […]
“Cut to the chase,” is one of those Hollywood phrases that have entered the everyday idiom. Before it was adopted by impatient middle-managers, its an expression that dates back to […]
I invited readers to vote for the next Dirk Challenge. The polls are now closed.* The results have been independently verified. I’m pleased to announce that Dirk’s Film School is […]
Survey my record collection and you’ll find The Ramones sitting alongside Yes. So it is with films too. For every STALKER (1979), which is like a triple album gatefold of […]
I’ve written before about my former life as the co-editor of PROP magazine. I was reminded of an article in PROP issue 6 about TAXI DRIVER (1975) while compiling the […]
Creativity is a matter for the police. The first law of creativity is theft. Bertold Brecht AMORES PERROS and LA HAINE are the first two films that are part of […]
“I don’t know if its really important, or intelligent even, when people say to me I’m a white Spike Lee, because they said to Spike Lee you’re a black […]
As much as I love AMORES PERROS now, I was initially reluctant to see it when it first came out. The depiction of dog fighting caused controversy in Britain which […]
“You and your plans. You know what my grandmother used to say? If you want to make God laugh… tell Him your plans.” Susana to Octavio (her grandmother is […]
As the sun sets on 12 months of Woody Allen, I need a new challenge; something that will motivate me to get up in the morning and to face the […]