DIRK’S FILM SCHOOL: PRE-SOLD SOURCES
Cinema has always had a dependence on other media for its content. This is driven by it’s need to find a ready made audience, as much as for creative purposes. […]
Cinema has always had a dependence on other media for its content. This is driven by it’s need to find a ready made audience, as much as for creative purposes. […]
SEMINAR NOTES Film has had a long association with the idea of ‘dreams’. American anthropologist Hortense Powdermaker coined the phrase ‘The Dream Factory’ to describe the film studios. A. Spenser […]
Back to school! Before the Summer Holidays I set an assignment for the students of Dirk’s Film School. It seems a long time ago now, but I asked the collective […]
SEMINAR NOTES Good morning, Mr Edison, glad to see you back. Hope you like the KINETOPHONE. To show you the synchronisation, I will lift my hand to count to ten. […]
SEMINAR NOTES Tracking shots typically involve moving the camera on a platform running on tracks, towards a subject or away from it or from side-to-side. R.W. Paul devised panning and […]
PROF DOM-DIRK RECOMMENDS One hundred years ago this year the feature film came in to it’s own when the Italian’s got there first with the epic “Cabiria”, a year later […]
SEMINAR NOTES The length of a film should be directly related to the endurance of a human bladder – Alfred Hitchcock It was the development of the ‘Latham Loop’ that […]
SEMINAR NOTES When G.A.Smith remade the Louis Lumiere’s L’ARROSEUR ARROSÉ (1895) as THE PRACTICAL JOKE (1998) he gave more prominence to the chase of the young boy who douses the […]
SEMINAR NOTES Point-of-view shots are similar to the close up as they are a means of representing character subjectivity. Film-makers use Point of View so that the camera as a […]
SEMINAR NOTES Arguably film form is composed of two essential building blocks – The Shot and The Cut – when assembled, the combination of the shot and the cut create […]