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Category Archives: Dirk’s Film School

DIRK’S FILM SCHOOL: PRE-SOLD SOURCES

Featuredby Dirk 3 Comments

Cinema has always had a dependence on other media for its content. This is driven by it’s need to find a ready made audience, as much as for creative purposes. […]

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Dirk's Film School

DIRK’S FILM SCHOOL: THE DREAM PALACES

23/09/2014by Dirk 1 Comment

SEMINAR NOTES Film has had a long association with the idea of ‘dreams’. American anthropologist Hortense Powdermaker coined the phrase ‘The Dream Factory’ to describe the film studios. A. Spenser […]

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Dirk's Film School

Dirk’s Five: The Art of Noise!

04/09/2014by Dirk 2 Comments

Back to school! Before the Summer Holidays I set an assignment for the students of Dirk’s Film School. It seems a long time ago now, but I asked the collective […]

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Dirk's Film School, Dirk's Five

DIRK’S FILM SCHOOL: SOUND

11/08/2014by Dirk 2 Comments

SEMINAR NOTES Good morning, Mr Edison, glad to see you back. Hope you like the KINETOPHONE. To show you the synchronisation, I will lift my hand to count to ten. […]

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Dirk's Film School

DIRK’S FILM SCHOOL: TRACKING SHOT

28/07/2014by Dirk 6 Comments

SEMINAR NOTES Tracking shots typically involve moving the camera on a platform running on tracks, towards a subject or away from it or from side-to-side. R.W. Paul devised panning and […]

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Dirk's Film School

DIRK’S FILM SCHOOL: FEATURE FILM (Part Two)

04/07/2014by Dirk 2 Comments

PROF DOM-DIRK RECOMMENDS One hundred years ago this year the feature film came in to it’s own when the Italian’s got there first with the epic “Cabiria”, a year later […]

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Dirk's Film School

DIRK’S FILM SCHOOL: FEATURE FILM (Part One)

01/07/2014by Dirk Leave a comment

SEMINAR NOTES The length of a film should be directly related to the endurance of a human bladder – Alfred Hitchcock It was the development of the ‘Latham Loop’ that […]

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Dirk's Film School

DIRK’S FILM SCHOOL: THE CHASE SEQUENCE

02/06/2014by Dirk 3 Comments

SEMINAR NOTES When G.A.Smith remade the Louis Lumiere’s L’ARROSEUR ARROSÉ (1895) as THE PRACTICAL JOKE (1998) he gave more prominence to the chase of the young boy who douses the […]

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Dirk's Film School

DIRK’S FILMSCHOOL: POINT OF VIEW

20/05/2014by Dirk 12 Comments

SEMINAR NOTES Point-of-view shots are similar to the close up as they are a means of representing character subjectivity. Film-makers use Point of View so that the camera as a […]

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Dirk's Film School

Dirk’s Film School: The Close-Up

04/05/2014by Dirk 2 Comments

SEMINAR NOTES Arguably film form is composed of two essential building blocks – The Shot and The Cut – when assembled, the combination of the shot and the cut create […]

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Dirk's Film School

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The Dirk Malcolm Alternative is a site of film lists and memories. Written by Dirk Malcolm (Chris), Roof-Dirk (Andy) and Dom-Dirk (Dominic).

Pages

  • Dirk’s Film School
  • Dirk’s Five
  • Dirking About …
  • Starburst Memories
  • Dirk Malcolm’s Alternative Film Lists
    • Andy’s Ten of Ten
    • Chris’ What if film history DID start with STAR WARS?
    • Dom’s Alternative to Derek Malcolm’s Films of The Century
  • Home Page

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